Kind of Blue – a Tribute to Miles Davis
As with any live music review at the moment, it’d be impossible to mention a Tribute to Miles Davis without saying “socially distanced”. However, not only that it’s also worth pointing out this was Mr Teeth’s first gig in quite some time…
So, with mask on and hand gel at the ready, it was off to see some live music on South Parade Pier at the Gaiety. Luckily, with it being a relaxed night of jazz, the seated affair didn’t seem out of place and table service was certainly appreciated. At least, once our table of 4 managed to get the damn App working properly! Alas, that’s just an initial grumble in what was a superb evening, spent in good company.
Kind of Blue: A Tribute to Miles Davis
As the 5-piece on stage lovingly recreated the “Kind of Blue” era Miles Davis, it was obvious no one was trying to be the legendary trumpeter. By that, I mean it was purely an appreciation of great music, rather than costume changes, look-alikes and impersonations.
Simply a brief introduction before the band went straight into a stunning performance. With the main focus being from trumpet to saxophone and back again.
Meanwhile backed with the subtle drumming matching those gentle brush strokes and rim-shots of Jimmy Cobb’s original playing. Along with the low notes of a double bass both intentionally understated, yet compelling at the same time.
It was also intriguing how “Miles Davis” and “John Coltrane” made use of the stage. At times standing well away from the mic, letting the natural ambience of the room pick up every last note. On occasion stepping back to allow some rather neat and rhythmic piano playing.
Kind of a Review – Live Jazz at the Gaeitey, Southsea
If you delve into both the history and personal life of Miles Davis, you’ll no doubt know it wasn’t all plane sailing. Likewise, on record, there’s a vast avenue of classic jazz through to fusion and the heroin fuelled avant-garde days to explore.
However, as advertised this was a night celebrating the infamous 1959 album “Kind of Blue”. Whereby the 2nd half of the performance pulled on a couple of the more familiar moments as well as one or two standards.
The two horns continually feeding off each other. In particular when it came to the album’s opener in “So What”. Eyes locked, both player watching every breath, the timing on the stabs was impeccable.
As for the closing numbers, they allowed the band members a little more creative freedom. Solos that didn’t have to quite follow the songbook, showcasing how talented those on stage were as individuals. Yet all the while reminding the audience just why the legacy of Miles Davis is worth celebrating.
